Tag Archives: Korede Johnson

Women animators discuss their journey

Yetunde Ogundipe, Dami Solesi, Emy Yugbovwre and Korede Johnson

Lagos-based Basement Animation Studio held a panel session this week with leading Nigerian women working in animation to discuss the theme ‘My Journey as a Woman in Animation.’

The session took place on March 8 in Lagos to mark International Women’s Day. It explored participants’ journeys in the sector as well as the opportunities it offers to women.

The discussion was led by Korede Johnson (Basement Animation) while other panel members included Dami Solesi (Smids Animation Studios), Yetunde Ogundipe (Beereel Pictures) and Emy Yugbovwre (Ajebotoons Studio).

Ajebotoons founder Yugbovwre said her first project had been the Nigerian cartoon Bino & Fino. This helped her see what was happening in the animation scene and made her realise African animation is accepted all over the world.

Solesi, CEO and creative director of Lagos-based Smids Animation Studios, started loving games as a child, which inspired her to create them. Having studied computer science and taken online lessons and read books, she started up her own business in animation.

Filmmaker Ogundipe, CEO of Beereel Pictures, ventured into advertising and production before falling in love with stop-motion animation, using her passion to develop her talent over time.

Regarding her inspiration, Yugbovwre said: “I loved watching cartoons growing up, and drawing. I love 2D animation and it was after my university days that I realised cartoons were actually animation.”

Discussing the challenges faced in the industry beyond infrastructure and power issues, Yugbovwre said the ones she faced were personal, since she had not been supported by her family.

Solesi said: “My challenges were more of family apprehension, but over time they came around. As a woman in animation, it’s been tough and challenging.”

Ogundipe said: “In Nigeria, no one wants to take risks. Stop-motion animation is not new but it is strange to so many people.”

She added that people often do not appreciate what it involves and so there was a need to educate them. Her challenge was that stop-motion animation was not a common style, so people felt they did not need it.

Solesi attributed her success to a combination of many things including people at her university, a good network beyond the animation industry and mentors from Nigerian non-profit organisation WinBiz. “We are still in the early stage of building the business so it’s been tough, but having that support system has been of great help,” she added.

Yugbovwre said she learnt a lot from YouTube and other tutorial websites. She encouraged people to make use of the internet to gain knowledge.

Ogundipe said: “I had challenge with animation because I had no drawing skill, but I realised I had to go beyond what I was doing. I challenged myself to take it further, think big and look for ways to execute.”

The three speakers agreed that, despite the challenges, building a career in animation is worthwhile. Yugbovwre said: “I have thought of quitting many times but it’s been worth it and I have enjoyed the journey so far.”

Ogundipe added: “It’s been very interesting and I have always fought for something different and new. Nigeria is filled with problems that we can solve. Women in animation are few but there are lots of opportunities to take advantage of as women.”

Solesi said: “It’s a challenging profession. It is also capital-intensive and although we are on the right path, we haven’t gotten there yet. The animation industry is changing and a lot of things are happening.”

As to what drives women in animation, the panel noted that determination to show women can make a difference, passion and a can-do spirit were some of the factors responsible.

They called on women to push ahead, ignore discouragement, focus on what they can offer, join support groups and understand that animation is a broad discipline.

“This is the best time. Engage in internships, grow your skills, develop yourselves and make use of opportunities,” Solesi concluded.

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